Since our inception in 1995 as Ultralight Control Systems, we've evolved into Ultralight Camera Solutions while maintaining our unwavering dedication to customers and excellence. Manufacturing top-notch underwater and cinematography camera accessories from 6061 T6 aircraft-grade aluminum with Type III anodizing and utilizing 316 stainless steel hardware, our products are engineered to endure extreme conditions.
Based in Oxnard, CA, USA, our facility proudly manufactures everything using US-sourced materials and hand assembly, ensuring the highest quality American-made goods. Each product is meticulously hand-packaged, a testament to our commitment to craftsmanship, even if it means higher costs compared to lesser alternatives flooding the market.
Our loyal customers attest to the longevity of Ultralight products, some relying on them for over two decades—a testament to their enduring quality, unlike many budget alternatives.
Backed by a lifetime warranty, we stand by our promise of excellence, addressing any issues with respect and efficiency, as every customer deserves. When seeking top-tier underwater and cinematography camera accessories, consider Ultralight Camera Solutions—we strive to earn your trust and respect with every purchase.
Welcome to Ultralight Camera Solutions, where we proudly offer a diverse selection of kits for above or below water. Today we will cover our Tripod Kits that work equally well in many different environments. In fact, all Ultralight products work well no matter what you are doing or where you are using them because of our high-quality standards.
For this blog we will showcase our seven different Ultralight tripod kits for use with GoPro’s and other action cameras, lights and still image cameras, large and small. These kits have been designed not only for exceptional performance underwater but also to deliver outstanding results above water and in all types of environments.
The kits range from small Ultralight compact setups like the TPK-SGP-03 (above) featuring our AC-TRI tripod clamp and three smaller DB-03 arms that are used for the legs and a GoPro/action camera tripod mount. The next larger size up includes two tripods that use the AC-TRI clamp and three longer DB-06 arms. Each is the same except for the upper mount. The first is the TPK-MGP-06 (above) using a GoPro/action camera tripod mount and the second is the TPK-MBA-06 (below) that uses an AD-1420 ball mount. With the use a clamp such as the AC-CSF or AC-CSL (not included) you can securely mount a light to the tripod making it very easy to have remote backlighting like in a cavern, cave, wreck, tunnel or special specific film shoot.
Moving up in the Ultralight tripod world is our TPK-LMU-06 (below). This tripod is super versatile because of the use of our TRI-TRAY that was designed to fit almost any camera, still, or video out on the market. Along with the three special BA-MT angled ball mounts, three AC-CSF clamps, and three DB-06 arms as legs, this tripod will do it all and is a one-of-a-kind setup making it not only unique but extremely functional.
Next is the TPK-LVL-08 tripod (below). It uses the AC-TRI clamp, three DB-08 arms and a AD-1420 ball mount. Again, with the use a clamp such as the AC-CSF or AC-CSL (not included) you can securely mount a light or slave strobe to the tripod making it very easy to have remote backlighting like in a cavern, cave, wreck, tunnel or special specific film shoot.
From here we move up to two Ultralight tripods that use our TRI-THC pan & tilt tripod head . Most all small to medium cameras and a few larger ones will fit on the TRI-THC and with the pan and tilt head you can move it 360 degrees horizontally and 110 degrees vertical letting you adjust it for most any position. The first is the TPK-LPT-09 (below) that uses the TRI-THC and three DB-09 arms as legs to give you a little more height and stability.
The second and the largest of our tripods is our TRIPOD (below) that uses three TRI-LEG extendable legs. The extendable legs will adjust from 12” to 19” inches in height. With the added adjustment the legs give you, this tripod will work anyplace you need it to be.
No matter your equipment preferences, our Ultralight Tripod kits are built to be versatile and compatible with numerous camera setups and accessories. From professional cameras to action-packed GoPros, and other action cameras we have the perfect solution to suit your needs.
At Ultralight Camera Solutions, we take pride in offering a comprehensive range of kits that cater to diverse underwater and cinema shooting requirements. So, whether you're capturing breathtaking underwater scenes or engaging in above-water cinematography, our kits will deliver exceptional performance and reliability. If you don't find what you need, please Contact Us. We are always here to help!
Ultralight Camera Solutions understands the integral role GoPro and action cameras play in our daily lives, no matter our interests or activities. That's why we're committed to simplifying your experience by providing high-quality camera products crafted from American-made materials. Our products are meticulously hand-assembled and packaged at our warehouse in Oxnard, CA.
Our range of products offers versatility, allowing you to enhance your setup without redundant purchases. Whether you need single or double-handle trays like the TR-GP, TR-GPD, or TR-GPDXL (pictured below) or our latest innovation, the TR-GPDW wing tray, also pictured below. Unlike our other trays, the TR-GPDW boasts a unique design that positions the camera upfront, providing ample space for stable underwater shots—a perfect match for GoPro flip filters.
In addition to trays, we offer convenient accessories like the AD-HS-GP hotshoe mount that seamlessly attaches to your camera's coldshoe mount, and the AD-GO ball mount adapter, easily clampable for seamless integration with your equipment.
Take your filming to new heights with our GoPro/action camera kits. Our popular GPK-LWT wing tray kit and GPK-PTGLC handheld unit ensure smooth maneuverability on the go. For those seeking innovation, our GPK-SMCGO kit featuring a Cardellini clamp opens up endless possibilities. This versatile clamp, widely used in the cinema industry, grips securely onto objects up to 1 ½” in size, effortlessly adapting to your needs. We have added a ball mount, clamp, and AD-GO adapter to it, creating one extraordinary kit.
I've even utilized the GPK-SMCGO for capturing close-up footage of birds in action!
For enhanced filming stability on land or sea, explore our selection of compact tripod kits, such as the TPK-MGP-06 or TPK-SGP-03. The MGP-06 features 6" long legs, while the SGP-03 uses 3" legs. Both are swiftly foldable and conveniently portable, fitting snugly into any backpack. Equipped with an action camera tripod mount, they offer versatility and ease of use.
At Ultralight, we champion creativity and personalization, empowering you to design solutions tailored to your specific requirements. Do you need guidance or have a unique vision in mind? Feel free to reach out and contact us. Elevate your GoPro experience with Ultralight's premium mounts and trays, all proudly manufactured, assembled, and packaged in the USA with materials sourced domestically, backed by a lifetime warranty.
I have been shooting underwater pictures for at least 20 years now and I own a company, Ultralight Camera Solutions that makes underwater camera accessories but that doesn’t mean I know what I am doing when it comes to underwater photography. I have taken some classes and workshops for underwater photography throughout the years and learned a few things about getting close, shooting upwards, and trying to get good composition of the subject and foreground. Even with this, I still struggle at times with my ability to get better. To top it off, in 2023, I upgraded my camera, housing, and strobes because they were old and outdated years ago. The problem is that this sure didn’t help any. It only made things harder and set me back a few notches.
The last workshop I did was with my Nikonos V, and if you know what that was, you know it was a long time ago. Fast forward to modern times, specifically to 2023, when I updated all my camera equipment. Sometimes, it works to start anew, and sometimes, it does not. For me, there was a learning curve, but I still had camera setting and strobe lighting issues that plagued me up till I participated in my first real photo workshop, Critterhunt, at the Crystal Blue Resort in Anilao, Philippines. This was a 10-day workshop held every May and totally worth it. This year, it was May 20-30, 2024, followed by a Blackwater workshop from May 30 -June 7. Next year’s Critterhunt will be May 18-28, 2025.
Both were a big success not only for me but the other attendees as well. I have to say Mike Bartick, Bruce Shafer, and Walter Marti did an EXCELLENT job. The workshops were so much more compressive than I ever thought they would be, and I wasn't the only person to think this. From the lectures, photo reviews, diving, eating, and keeping my camera ready for the next dive, it seemed like I was busy from dusk to dawn, but it was all WORTH it. Now I feel confident I am on the path to recovery.
There were fifteen of us for Critterhunt and ten for the Blackwater workshop. Twelve of the participants were in a group organized by Channel Islands Dive Adventures, and the others arrived individually. Ultralight Camera Solutions sponsored the event and supplied some GREAT swag bags and gift certificates. Ultralight also provided some camera accessories to try out, along with T-sticks and cutout clamps, which were very popular. The other side benefit for Ultralight was the suggestions and ideas for new and existing products we now have. Some of our best new selling products are from other people’s suggestions and ideas, which we are always happy to hear.
The workshop was organized in what I would call three main parts: diving, photo review, and editing. Mike Bartick did an hour of compressive and super helpful photo reviews in the morning, followed by two dives, one hour of detailed Lightroom editing by Bruce Shafer, and topped off with 1-2 more dives. We did this for eight days. It was a super busy schedule, and I went away with a much better foundation for underwater photography than ever before.
There were people with simple point-and-shoot cameras such as Sealife and Olympus TG series to mirrorless and DSLR rigs. For some, they went from not knowing much about their cameras to leaving with BIG smiles because of all they learned. Others had a good review with some positive reinforcement, and for me, I was somewhere in between going home with some excellent skills for me to continue with.
Mike spent plenty of time on each photo we submitted. He provided excellent information on the behavior of each critter, what he liked about each image, and how to photograph it better next time. The next day, the process would repeat all over again.
Bruce is exceptionally at using Lightroom for editing. He was there to share what he thought were the main parts of it that you would need to edit, store, and organize your images. Unfortunately, I have never used Lightroom, so I only sat in on the first lecture and did my own editing using the free windows 11 program. I did take away a few things, and the biggest one was not only that I should shoot in RAW but also why and the advantages of doing so.
If this sounds like something you would like to do, join the fun next year. Critterhunt will be May 18-28, 2025. Channel Islands Dive Adventures has eight rooms reserved, and Ultralight Camera Solutions will again sponsor the event. Read more about the Crystal Blue Resort in my next upcoming blog.
We've fielded inquiries about why we don't produce aluminum tripod mounts for GoPro or action camera housings. Much of this query boils down to a key factor: aluminum isn't designed for repetitive bending, as it can lead to cracking or breakage. A simple example is an aluminum can pull lid; if you bend it back and forth as it's designed, it will eventually break.
While other manufacturers offer aluminum tripod mounts, reports of some breaking for the above reasons underscore the challenges with this material.
Here are some differences between plastic and aluminum mounts:
For Ultralight Camera Solutions, manufacturing tripod mounts from aluminum could align with our commitment to quality and could offer a more durable and cost-effective option. Additionally, aluminum mounts could be available in various colors to suit individual preferences. However, the risk of breakage due to the material's limitations remains a concern, which may outweigh the potential benefits.
Ultralight Camera Solutions stands as a premier provider of top-notch underwater photography equipment, serving professionals and enthusiasts alike. Our products are proudly made, assembled, and packaged in the US using domestic materials, backed by a lifetime warranty.
Spread the love! We're not stuck in the 1960s anymore, where love was abundant but often unspoken. Leap ahead several decades to a time when many of us explore the depths, capturing the beauty beneath the waves with underwater cameras, smartphones, strobes, lights, action cameras, GoPros, and more. Just as plants flourish with water, our camera setups grow, evolving into elaborate configurations with multiple lights, strobes, perhaps a smartphone or action camera, and often dive computers. While there's nothing wrong with this progression, it's essential not to overlook the unsung heroes behind these setups: the accessories.
So, what does spreading love have to do with all this? A whole lot! When most people share their underwater pictures on social media, they're quick to mention or hashtag the gear they used: camera models, housings, lights, and more. Yet, one crucial element often remains unsung. The below is a good example and one of MANY. To share the love, even more, hashtags for all the manufacturers would be nice.
None of the equipment mentioned could produce stunning images without the essential accessories that hold it all together, allowing us to easily maneuver and adjust when needed Here's a challenge: next time you're diving, try using all your gear without any accessories and see how hard it all becomes. It's best to secure everything with lanyards first to prevent some costly equipment from taking a plunge to the ocean floor.
Many overlook the significance of accessories in achieving that perfect shot or video. While Ultralight Camera Solutions specializes in manufacturing camera accessories, their importance should never be underestimated. So, the next time you share your images or videos, please spread your appreciation and mention the companies behind your camera accessories. I assure you, they'll be grateful for the recognition!
Ultralight Camera Solutions is a leading provider of high-quality underwater photography equipment catering to professionals and enthusiasts alike. Our products are all manufactured, assembled, and packaged in the US with US materials and have a lifetime warranty. With a commitment to innovation and excellence, Ultralight continues to push the boundaries of underwater imaging technology.
Introducing our latest innovation, the Ultralight Camera Solutions (ULCS) SB-04 single ball arm. Have you ever created something with a specific purpose only to discover its potential for so much more? That's the story behind our SB-04. Initially designed to accompany long double cutout clamps like our AC-CSLSK2 or AC-CSLXLSK2, for an easy solution to mount two large buoyancy floats side by side above the camera.
The SB-04 is a compact 4-inch single ball arm with a sturdy ¼-inch thick flat base featuring a ¼-inch through hole. It's a modified version of our AD-SSL strobe adapter, tailored at the flat YS style end. During testing, we stumbled upon its versatility, realizing it could serve multiple functions and be mounted in various ways, providing users with more options.
Beyond its original purpose, it can be securely bolted to a flat tray or bracket, offering users a robust ball mount that extends further outward compared to most add-on ball adapters. Another pleasant surprise was its compatibility when bolted between the ball and handle of our TR-DHB handle or combined with our AC-H1/4 handle using the BA-HB ball adapter. This setup gives users an ideal spot to firmly attach something extra to their camera rig.
Previously, achieving similar setups would require an AC-TCS triple clamp, DB-03 short arm, and AC-CSF clamp. However, the SB-04 is a solid mount that streamlines the process, enhances user-friendliness, reduces the number of parts needed, and ultimately lowers the overall cost. To explore our full range of products including the SB-04, visit our website at ULCS.
Ultralight Camera Solutions is a leading provider of high-quality underwater photography equipment, catering to professionals and enthusiasts alike. Our products are all manufactured, assembled, and packaged in the US with US materials and have a lifetime warranty. With a commitment to innovation and excellence, ULCS continues to push the boundaries of underwater imaging technology.
Naturally, the better something is taken care of the longer it will last. Even though Ultralight products are virtually indestructible, treating them with respect will keep them in good working order. After every dive, the best thing to do is thoroughly rinse everything in freshwater. If this is not possible, keep the equipment wet by placing a wet towel over it and refrain from drying it. You don’t want saltwater drying on your gear, forming salt crystals that can cut and scratch O-rings, especially those you cannot service yourself. You can wash your Ultralight gear in hot, soapy water to remove the grit and grime that builds up once you get home.
Most of the inquiries we get about maintenance are about how to clean the fuzzy salt build-up on parts such as clamps. To start, if possible, take as much of the part apart as you can by removing all stainless steel nuts, bolts, and screws. Once apart, soak everything in a 50/50 water and vinegar solution for 15-20 minutes. Use a soft bristle brush like a toothbrush to clean the parts. Don’t forget to clean the inside of the T-knobs on the clamps. Sometimes, it is necessary to repeat the process till everything is cleaned. When done, dry and put back together. For the clamps, add a small dab of silicone grease to the threads at the end of the bolt where the T-knob will be screwed on. Once finished, they will be ready for your next trip.
Whenever you have two dissimilar metals in contact, you will have electrolysis. This is what happens in the case of aluminum and stainless steel. The aluminum becomes oxidized, and the nuts and bolts tend to freeze, making it difficult or impossible to remove them. Sometimes wrapping the threads of screws and bolts with Teflon plumber’s tape (found at your local hardware store), reduces electrolysis and removal of the screws, nuts, and bolts is much easier. If you are looking at the thread end, make a couple of turns with the Teflon tape in a clockwise direction while stretching it slightly.
The O-rings in the balls of the adapters will last one to two years if not left out in the hot sun all the time. They will crack, but this will not affect the clamp's clamping ability. They should be changed when they are cracked, hardened, or the arms do not seem to be holding as well as when new. It is easy to forget about the O-rings, so we recommend replacing them every two years.
They can be difficult to remove and are best removed without sharp objects. The best way is to squeeze with thumb and forefinger, pushing together while simultaneously trying to move it to the side. This should give you a small amount of the O-ring to roll over the ball. To install the O-ring, stretch it over the ball and into the groove.
The ball O-rings are Buna, Size 2-209N70, and the O-rings for the base adapters are Buna, size 2-113N50. If you need replacements, we offer packages of 12 and 25 that can be ordered directly from us.
Ultralight Camera Solutions is a leading provider of high-quality underwater photography equipment, catering to professionals and enthusiasts alike. Our products are all manufactured, assembled, and packaged in the US with US materials and have a lifetime warranty.
Throughout the years, Ultralight Control Systems has undergone significant transformations, all aimed at enhancing our position as a distinctive business offering camera accessories to both the underwater and cinema industries. What sets us apart is our commitment to manufacturing all our products in the USA, using US materials, and hand assembling and packaging them at our warehouse in Oxnard, CA.
Our journey began with our very first underwater dealer, Backscatter Video & Photo from Monterey, CA, who joined us in mid-1994 and remains our largest dealer to this day. Another key player in our story is Bluewater Photo from Culver City, CA, who joined our family in late 2010. Both have contributed valuable ideas for new products that have been incredibly successful.
Over time, more underwater dealers joined our network, including Reef Photo and Force-E from Florida, Splash Underwater Imaging, and Squires from Manila, among others. Our international reach expanded with dealers like Fisheye Photo from Japan, Cathy Church from Grand Cayman, and Digital Dive from Germany.
The cinema industry became a significant focus for us around the early 2000s, with Filmtools from Burbank, CA, joining us in late 2014 as our first cinema industry dealer. Manios Cine Tools from Greece and other notable dealers, such as the DV Shop from Toronto, Canada, and TSF Cineboutique from France, followed suit.
While the landscape changed with events like the Covid pandemic and the Actors and Writers strike in 2023, Ultralight Camera Solutions, formerly Ultralight Control Systems, has remained resilient and adaptable. Under new ownership since March 2020, we rebranded in May 2023, continuing our legacy with a bright future ahead of us.
We've weathered these challenges by making strategic adjustments, discontinuing some products, redesigning others, and introducing innovative solutions. Our commitment to offering products in various colors reflects our dedication to individualism and ease of identification for camera setups.
If you're a big or small dealer who resonates with our values and vision, we invite you to join our expanding dealer network. Contact us, and let's embark on this journey together toward continued success.
It's safe to say we're all unique in our own ways, and that's what makes life interesting, right? Having choices is key to enjoying what we do, whether it's in diving or any other aspect of life. I mean, imagine if we were all just clones of each other—boring, right?
Speaking of diving, there's a whole spectrum of options out there, especially when it comes to gear. From outerwear like dive skins and wetsuits to innerwear and thermal protection gear, the choices are colorful and diverse. And let's not forget about equipment like buoyancy compensators, masks, and snorkels. Each offers its style and flair, allowing us to express our individuality even underwater.
However, one area where I've noticed a lack of color options is camera equipment and accessories. Sure, there are a few choices, but black seems to dominate the scene. As someone who's been diving for over thirty years and now owns Ultralight Camera Solutions, formerly known as Ultralight Control Systems, I've seen firsthand why some people shy away from too many options.
As consumers, we're all about having options, right? We want manufacturers to give us what we want, even if it means paying extra for those customized choices. But from a manufacturing standpoint, offering a plethora of options can be a logistical challenge. It means more parts, more inventory, and more complexity, which not all dealers are keen on dealing with.
Since taking over Ultralight, we've expanded our product line to include over 250 parts, with a significant chunk of that growth coming from our colored camera accessories. But with more options comes more responsibility—more inventory to manage and more headaches for our dealers and sometimes for us as well but it's worth it.
There's a whole process involved when it comes to coloring aluminum parts. For black, we use Type III hard anodizing, which provides durability in any environment. But for colored parts, we have to go with Type II anodizing, which isn't as tough as Type III and can wear or scratch more quickly depending on use.
Despite the challenges, we're proud to offer a range of colored accessories, from ball adaptors to knobs, allowing divers and filmmakers to add some personality to their gear. And hey, why not accessorize when you can, especially with a company like Ultralight that's committed to quality and innovation?
At Ultralight Camera Solutions, we're all about pushing the boundaries of underwater imaging technology. We provide high-quality equipment made right here in the US with a lifetime warranty. So go ahead, dive in, and capture those memories in full color.
It's interesting how things unfold over time. Ultralight kickstarted its journey in 1994, manufacturing camera accessories specifically tailored for underwater photographers. In the early days, our focus revolved around creating arms, clamps, strobe adapters, trays, and base adapters compatible with camera and housings from Nikonos, Subal, Nauticam, and Aquatica. While the product lineup has evolved, one thing has stood the test of time, our arms and clamps.
In fact, Ultralight pioneered the design of the arms and clamps that remain integral to our offerings today. A glance at other manufacturers reveals the imitation of our tried-and-true clamps, T-knobs, and arms. Rather than being irked by this, I see it as a compliment. After all, they wouldn't replicate our products if they weren't reliable and effective amidst changes in camera housings, strobes, lights, and other equipment.
Our products boast longevity and resilience in diverse environments. Early on, cinema camera assistants discovered the versatility of our products. Using our AD-1420 or AD-3816 paired with AC-CSF clamps, DB-05 arms, and a monitor mount like our AC-MB allows for superior camera monitor angles compared to alternatives. Interestingly, these parts were initially sourced from our underwater dealers.
These products have become staples for Ultralight, enduring replication by others. We were also trailblazers in introducing O-rings around the center of each ball end. Fast forward to 2010, we innovated further with the AC-CSF clamp featuring a cutout, now known as the AC-CSSK. Dubbed the Sues knuckle, this, along with the triple clamp AC-TCSJK or Jacks Knuckle, was a collaboration with Jack and Sue Drafahl, original owners of Ultralight.
These clamps played a pivotal role in Ultralight's push into the cinema industry while continuing to benefit the underwater industry. The cutout clamps, along with the double cutout clamps we now offer, allowed unprecedented arm positioning, a novelty introduced by Ultralight.
A serendipitous moment occurred with the double cutout clamps. A mistake led to the creation of these clamps such as the AC-CSSK2, initially sitting in a bag until brought to attention in a camera assistant Facebook group. The positive response paved the way for their addition to the Ultralight lineup, and they've since become a success among underwater photographers. Even these double cutout clamps are now imitated by other manufacturers, turning my unintentional mistake into a valuable contribution.
This blog has been an enjoyable journey, delving into past data, recalling memories, and narrating the story of Ultralight—a story that deserves to be told. We've been at the forefront of many firsts, and our commitment to innovation ensures we're not stopping anytime soon. Like our products, we aim to endure and leave a lasting legacy!
Ultralight Camera Solutions is a leading provider of high-quality underwater photography equipment catering to professionals and enthusiasts alike. Our products are all manufactured, assembled, and packaged in the US with US materials and have a lifetime warranty. With a commitment to innovation and excellence, Ultralight continues to push the boundaries of underwater imaging technology.
At Ultralight Camera Solutions (ULCS), we pride ourselves on innovation, and our camera sled kits and accessories are a testament to that. These kits have gained international acclaim among professional underwater photographers and cinematographers, and for good reason.
Our CSK-SLDL and CSK-SLDM sled kits are designed to revolutionize underwater photography, offering unparalleled functionality and compatibility with all camera models. Central to these kits is our user-friendly TRI-TRAY, which ensures stability for your camera by using two side rails and four adjustable heavy-duty brackets. What sets our sled kits apart is their versatility both underwater and on land. Photographers can confidently place their sled-mounted camera on any flat surface without worry. The sled is extremely stable and sits high enough off the bottom to protect the largest of dome ports.
Adding to the functionality is our updated TR-MBK monitor kit, which includes the TR-MB rear mounting bracket, AD-1420 ball adapter, and AC-TKB special knob. This kit bolts to the bottom of the TRI-TRAY and allows for easy adjustment of monitors, providing endless possibilities when paired with our longer double cutout clamp like the AC-CSLSK2 or the AC-CSLXLSK2.
To complement our sled kits, we now offer two new accessory kits. The first is a camera sled sliding weight system, designed to perfectly balance the sled with stainless-steel weights and T-nuts that fit seamlessly into the side rails. This system enhances the user experience and ensures stunning underwater shots. The other new accessory kit is the SB-04-BCK, a small single-ball arm customized to work with our long double cutout clamps. It enables users to mount two large buoyancy floats above the camera.
To add to all the excitement we also have just added our CSK-WS camera sled kit . The weight kit includes all hardware and 1 lb. of stainless steel weights that can be made to slide back and forth in 3/8" the rail slots with the use of a special t-nut or the weights can be bolted almost anywhere the user requires. Extra weights and the t-nuts are available.
Our team is dedicated to exceeding customer expectations, and the positive feedback from our Brand Ambassadors and customers reaffirms our commitment to innovation and quality.
Look at the bottom of this page for a closer look at our ULCS Underwater Camera Sled Tray Kits and how others have used them in action. Also, for more detailed information, watch our YouTube video here. To learn more about ULCS and explore our full range of products, visit our website at ulcs.com.
Ultralight Camera Solutions leads the way in providing high-quality underwater photography equipment, manufactured with care in the US using US materials and backed by a lifetime warranty. With a dedication to innovation and excellence, ULCS continues to push the boundaries of underwater imaging technology.
When it comes to selecting clamps designed for underwater cameras, cinema monitors, or other equipment, the main question that we always get here at Ultralight Camera Solutions is: coarse or fine threads? For the longest time, Ultralight exclusively produced coarse-threaded clamps, a tradition that endures today, except for our AC-CSF28 clamps. The AC-CSF28 clamps were suggested by our largest dealer several years ago and have since become our best-selling clamp.
In an initial comparison between coarse and fine-threaded clamps, the primary difference lies in their knobs and the screws used for the bottom clamp half. Coarse-threaded clamps utilize a ¼”-20 Phillips pan machine screw, while finer-threaded ones use a ¼”-28 Phillips flat machine screw. The top clamp half with the through hole remains identical.
Coarse threads:
• Feature a larger pitch, resulting in fewer threads per inch, similar to the ¼”-20 machine screw.
• Are less susceptible to galling but require more threading area.
• Have fewer chances of cross-threading.
• Can endure more thread abuse before malfunctioning.
• Begin threading more easily into objects.
Fine threads:
• Have a smaller pitch, yielding more threads per inch, like the ¼”-28 machine screw.
• Are more prone to galling.
• Demand a longer threading area.
• Can sustain thread damage more easily.
• Allow for more precise adjustments.
• Are stronger than a similar bolt with coarse threads.
There are further considerations for larger bolts or machine screws, but they mostly concern manufacturers other than Ultralight.
The ultimate question remains: which is better, the fine-threaded AC-CSF28 clamp or the coarse-threaded AC-CSF clamp? Much of this decision comes down to personal preferences. While the AC-CSF28 clamp with finer threads provides greater precision when tightening the knob, does it make a significant difference? If everything is new and in perfect condition, it probably does. However, if the clamps haven't been cleaned and serviced regularly, will they still perform the same? Perhaps, or perhaps not. Personally, I admit that I don't maintain my equipment as diligently as I should, but I know others who are meticulous about it.
For me, the choice between the two clamps isn't so much about which one is better but rather which one suits my needs best. Here's how I believe the decision between coarse and fine-threaded clamps should be approached:
Coarse-threaded versus fine-threaded:
• Consider your equipment maintenance habits.
• Evaluate whether a finer adjustment justifies the higher cost of a fine-threaded clamp.
• Explore options for customizing the knob color. Both the AC-CSF and AC-CSF28 clamps are available in black, green, blue, and red, but the coarse-threaded AC-CSF also offers knobs in purple, pink, and yellow. • Assess the importance of uniformity if you require other clamp styles, such as longer ones or those with cutouts. The AC-CSF28 is the only clamp we manufacture with a fine-threaded bolt; all our other clamps feature coarse threads.
• Confirm the availability of repair and service parts; Ultralight offers them for all clamps.
If you still have questions after considering the above points, please don't hesitate to Contact Us at Ultralight. We are always eager to assist you!
Welcome to Ultralight Camera Solutions, where we proudly offer a diverse selection of kits specifically designed for Underwater and Cinema photography. Our kits encompass three categories tailored to cinema gear and six categories dedicated to underwater equipment. In this blog post, we will be highlighting the second cinema category: Cinema Arm Kits
Of the cinema arm kits, we have twenty-five different ones. Why so many kits? Excellent question! We have such an abundance of products that for some it's difficult to visualize the parts needed for their particular setup. Offering all the kits helps our customers make the best decision for their needs through some of our gopro mounting solutions.
The kits come in various sizes, configurations, and mounting options. All the kits start with the AD-1420-2S with a 1/4"-20 threaded insert and use our AC-CSF clamps. From there, we have many options using a single DB-03, DB-05, DB-06, and DB-08 arm, to others with dual DB-05s or DB-08 arms as a gopro mounting solution.
Starting with the Ultralight CAK-01. This kit is the smallest and only includes two 1/4" ball mounts and one clamp. Shown below.
We have four kits using the smaller Ultralight DB-03 arm. The first is a CAK-S14-03 which comes with an AD-1420-2S whereas the CAK-S38-03 comes with an AD-3816-2S ball mount. Both are shown below.
The other two kits using the smaller DB-03 arm are, the CAK-SHD-03 using a SmallHD monitor mount and the other is the CAK-SMB-03 which comes with a universal monitor mount. Both are shown below.
For the single-arm kits using the DB-05, we have the same configuration as the kits above. They are the CAK-S14-05, CAK-S38-05, CAK-SHD-05, and the CAK-SMB-05. All are shown below.
For the single-arm kits using the DB-06, we have the same configuration as the kits above. They are the CAK-S14-06, CAK-S38-06, CAK-SHD-06, and the CAK-SMB-06. All are shown below.
For the single-arm kits using the DB-08, we have the same configuration as the kits above. They are the CAK-S14-08, CAK-S38-08, CAK-SHD-08, and the CAK-SMB-08. All are shown below.
For the double-arm kits using the DB-05, we have the same configuration as the kits above, except for one extra arm and clamp. They are the CAK-D14-05, CAK-D38-05, CAK-DHD-05, and the CAK-DMB-05. All are shown below.
For the double-arm kits using the DB-08, we have the same configuration as the kits above, except for one extra arm and clamp. They are the CAK-D14-08, CAK-D38-08, CAK-DHD-08, and the CAK-DMB-08. All are shown below.
With these diverse options, you can easily find the perfect kit that suits your specific camera and monitor setup. So, go ahead and explore our cinema arm kits – we're sure you'll find just what you need! If you don't find what you need, please Contact Us. We are always here to help!
Cinema Arm Kits:
Welcome to Ultralight Camera Solutions, where we proudly offer a diverse selection of kits specifically designed for Underwater and Cinema photography. Our kits encompass three categories tailored to cinema gear and six categories dedicated to underwater equipment. In this blog post, we will be highlighting the first cinema category: Cardellini Clamp Arm kits
The Cardellini Clamp Arm kits come in various configurations depending on what equipment you have and what the use will be. The beauty of the Cardellini clamps is that they are incredibly versatile! They can mount to almost anything, whether it's round, square, or irregularly shaped, as long as it's not larger than 1 ½", this even includes GoPros. So, you can rely on these clamps to hold your gear securely in various situations. Below are some of the ways to use a Cardellini clamp.
The Cardellini clamps are made of stainless steel and cast aluminum and will work in any environment. Their jaws have vulcanized rubber and will not scratch whatever they are attached to making them the perfect go-to piece of equipment everyone should have in their GoPro kit or cinema kit. Below are three of the four different ones we carry at Ultralight Camera Solutions.
We carry nine different Cardellini clamp arm kits, four are smaller kits that do not include arms, four have arms included as part of the kit, and one is our special large Cardellini Tripod. Of the smaller kits, two are set up for GoPro's like the CCK-SMCGO and the CCK-MMCGO, both pictured below as GoPro mounting kits.
The other two small kits are the CCK-MMC14 and the CCK-SMCMB shown below. Both of these kits are for use with different monitors.
The next ones shown below are single-arm configurations using the DB-05 arm and AC-CSF clamps. The first, CCK-MMCMB-S5 comes with an AC-MB monitor mount and the second is the CCK-MMC14-S5 which uses an AD-1420 ball mount.
The last two kit configurations both use two DB-05 arms and three AC-CSF clamps. The CCK-MMC14-D5 as shown below comes with an AD-1420-2S ball mount and the CCK-MMC38-D5 (not shown) comes with an AD-3816-2S.
Last but not least is our special CCK-TRIPOD. The beauty of the design lies in the TRI-LEG's that are adjustable and the CARD-SMMC Cardellini clamps. Because of this, you can change the angle or position in minutes. We attached it to the back of a motorcycle in a matter of minutes for some awesome road video footage. Talk about a cool setup!
It might not be for everyone, but if you're facing a challenge finding the perfect mounting solution for your GoPro, this could be the answer. And trust me, it held up beautifully during our ride through the back hills – no issues at all as a GoPro mount.
If you don't find what you need, please Contact Us. We are always here to help!
Cinema Cardellini Clamp Kits:
Welcome to Ultralight Camera Solutions, where we proudly offer a diverse selection of kits specifically designed for Underwater and Cinema photography. Our kits encompass six categories tailored to underwater equipment and three categories dedicated to cinema gear. In this blog post, we will be highlighting the fifth underwater category: Underwater Tripod kits.
In this fifth installment of our Underwater Kit series, we are thrilled to showcase our diverse array of underwater tripod kits. These kits have been meticulously designed not only for exceptional performance underwater but also to deliver outstanding results above the waterline with all types of cameras, including GoPros.
Our range spans from compact setups like the TPK-SGP-03 featuring smaller DB-03 arms and a GoPro mount, similar to the picture below but without the tray and handle. The next size up is our TPK-MGP-06 (not shown) using DB-06 arms with GoPro tripod mounted to the TPK-MBA-06 (not shown) with the DB-06 arms and an AD-1420 ball mount, perfect for securely mounting a light.
The more substantial TRI-THC pan & tilt tripod head are complemented by the DB-09 arms making up the TPK-LPT-09 shown below. This larger kit is ideal for as a GoPro tripod mount, or for handling a variety of cameras, housings, and lights.
One new impressive kit we offer, the TPK-LMU-06 uses our super versatile TRI-TRAY designed to fit almost any camera, still, or video out on the market. Along with the special BA-MT angled ball mounts, clamps, and our DB-06 arms as legs, this tripod will do it all and is a one-of-a-kind setup making it not only unique but extremely functional.
No matter your equipment preferences, our kits are built to be versatile and compatible with numerous camera setups and accessories. From professional cameras to action-packed GoPros, we have the perfect solution to suit your needs.
At Ultralight Camera Solutions, we take pride in offering a comprehensive range of kits that cater to diverse underwater and cinema shooting requirements. So whether you're capturing breathtaking underwater scenes or engaging in above-water cinematography, our kits will deliver exceptional performance and reliability. If you don't find what you need, please Contact Us. We are always here to help!
Underwater Tripod Kit Links:
Welcome to Ultralight Camera Solutions, where we proudly offer a diverse selection of kits specifically designed for Underwater and Cinema photography. Our kits encompass six categories tailored to underwater equipment and three categories dedicated to cinema gear. In this blog post, we will be highlighting the fourth underwater category: Underwater GoPro and video kits.
Previously, we only offered one pistol grip mount for GoPros which is now the GPK-PTGSC (not shown). We now have expanded on that with an upgraded and more versatile solution. Our new GoPro handheld design, the GPK-PTGLC, shown below features a small tray and clamp, allowing everything to be above your hand for better stability and ease of use. With a compatible camera pole mount, you can mount the handheld setup to an extendable painter-type pole to extend the tray and position your GoPro for underwater use, perfect for boat inspections or capturing footage without getting yourself wet. Moreover, the GoPro's flip-screen function works well for this allowing a clear view of your surroundings while the GoPro is underwater and you are on the dock with your GoPro underwater mount & GoPro handle.
We also offer our GPK-ST single-handle and GPK-LT double-handle kits that utilize the TR-GP and TR-GPDXL trays and TR-DHB handles making them excellent single or double-handle tray kits. However, for those looking to expand their possibilities, we recommend our Wing Tray System, the GPK-LWT which comes with our TR-DHB handles and not the AC-H handles as shown below. This setup uses the TR-GPDW tray and pushes the camera forward, providing easy access to flip filters without any obstructions for your GoPro water mount & GoPro handle.
The Wing Tray System accommodates various cameras, including those with 1/4"-20 threaded holes, such as the small SeaLife video camera. This gives you flexibility and opens up endless shooting opportunities. Whether you have a GoPro or a different video camera, the Wing Tray System will prove to be an excellent addition to your kit. It is also possible to make the wing tray kit into a tripod setup if needed as shown above as a GoPro water mount.
Last but not least our new special kit using a Cardellini clamp is the CCK-SMCGO. Cardellini clamps have been used for a long time in the Cinema industry and are very rarely seen, if at all in underwater photography applications. What makes the Cardellini clamp so special is the ease of use it has and it is easy to mount to any material 1 1/2" thick or less. Made out of stainless and cast aluminum it holds up to the environment and could easily be used instead of having someone hold a light in place for a specialized photoshoot. We are sure our new kit using this clamp will be a game changer once they catch on to the diving public.
In conclusion, our underwater GoPro photography & Video kits are not only perfect for underwater adventures but can also be a versatile tool in a work environment. So, whether you are capturing incredible marine footage or conducting inspections, our camera solutions have got you covered. Happy videoing, and have a fantastic day!
Underwater GoPro Tray Links:
Welcome to Ultralight Camera Solutions, where we proudly offer a diverse selection of kits specifically designed for Underwater and Cinema photography. Our kits encompass three categories tailored to cinema gear and six categories dedicated to underwater equipment. In this blog post, we will be highlighting the second cinema category: Large Cardellini Tripod, our new cinema camera support system!
Today, we're going to dive into something pretty awesome – our new tripod the CCK-TRIPOD, and the secret to it are the adjustable legs and Cardellini clamps. Let me tell you, it's really cool!
Here's the story behind it: I had a friend drop by with his motorcycle one day, and we got tinkering to see how we could fit GoPros securely on it for some filming. While doing that he had an idea to have the GoPro extend out to the side. This way you could get some really cool videos. With his help, we came up with this the PERFECT solution. The main parts that make up the tripod are a GoPro mount, tripod clamp, three adjustable legs, three Cardellini clamps, and a number of our special cutout clamps and other parts. This cinema camera support system is super easy to set up and will fit most anything you can mount it to, as its one of the most versitile professional support systems out there on the market currently. You’ll need to think outside the box for this one!
The beauty of the design lies in the TRI-LEG's that are adjustable and the CARD-SMMC Cardellini clamps. Because of this, you can change the angle or position in minutes with your cinema camera support system from Ultralight Camera Solutions. Talk about a speedy setup!
It might not be for everyone, but if you're facing a challenge finding the perfect mounting solution for your GoPro, this could be the answer. And trust me, these professional support systems held up beautifully during our ride through the back hills – no issues at all.
Remember, we're here to help you with any questions or problems you might have. Contact Us and we are here to help, that's why we're called Camera Solutions, after all! Happy filming, and have a fantastic day! We are always here to help!
Ultralight Cardellini Tripod:
